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instigated the break-up. Because there's always two sides to that. Always."
Of course, like Bell said, Forgetting Sarah Marshall is a comedy first. And one of the things that entailed was a scene in which Bell and Brand get to show off some hilariously convoluted sexual positions. "We were actually thrown into a room six days after we met and were told, go into a room and find, like, ten different awkward sexual positions," she says. "And we were like, 'Okay, well, it's part of the job, so...'" She shrugs. "Even though my role doesn't have any nudity, and everybody keeps talking about the full frontal [of Jason Segel's character], I was never asked to take my shirt off or anything. It wasn't one of those things where they were like, 'Oh, you're already in a sex scene, so just do it so we can have more boobs in an R-rated movie.' It's so not like that, and no one ever approached me with something like that." Still, the scene presented some challenges. "I still thought that well, I'm faking an orgasm on camera, and my father will inevitably see this piece of film. And that's something to digest. But he's very very internet savvy, he actually bought my sister and I computers in 1989 – I was like, 'What do I do with this hunk of junk, play Asteroids?' – so he has me on Google Alert and he's very aware that it's a sexually explicit comedy." In addition to all the work Bell is doing now, she's also wrapped two other movies, Fanboys and Serious Moonlight, and just booked another one, When in Rome. First up – probably – is Fanboys, a comedy about a group of Star Wars geeks who try to steal a print of The Phantom Menace circa 1999. It's set to come out this year, although some editing issues have kept pushing the release date back. "I've heard the same things," she says. "I know there's no release date yet, because we always find out when we have to do our press tours...But I hope it will be well-received. The majority of people involved were actually fanboys, which I think gives it a little more street cred than just a bunch of people trying to make a fanboy movie." Serious Moonlight, meanwhile, is an indie movie directed by Cheryl Hines. It's from a previously-unproduced screenplay by the late Adrienne Shelly. "It was virtually the whole team from Waitress; Adrienne's husband produced it and Cheryl directed it," she says. "It is unbelievable to me that Cheryl can be as perfect as she is, because she's hysterical. She's gorgeous. She just steps up to the plate and says, yeah, you know, sure, I guess I'll become a successful female comedy director. I guess today, that's what I'll do." Finally, When in Rome is a romantic comedy from Disney. "It's a very ... |
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