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in the previous
adaptations. Of particular note are any of the touching scenes
between Harry and Ginny Weasley and the scenes with the new Potions
Master at Hogwarts, Horace Slughorn; which range from comical to
deeply poignant and where Kloves understated but highly effective
dialogue shines.
Each of the characters is given a very thorough fleshing out and this
helps not just to get the audience to invest in the characters, but
also to make them something the actors can bite into. No one does
this better than the always pleasing Alan Rickman as Severus Snape.
Rickman is finally given the ample screen time he and the character
have been lacking in the recent films and he delivers a spot on
performance in every scene. That being said, I was most impressed
with Jim Broadbent as Horace Slughorn. While some of the “one off”
characters who come in for a film and then disappear back into the
magical world have been almost too cartoonish, but still pleasing,
Broadbent manages to make his addition to the franchise a living,
breathing and most importantly, sympathetic person who seems as real
as anyone you might meet on the street, be it Diagon Alley or Time
Square.
Playing younger versions of the Dark Lord are Frank Dilane and Hero
Fiennes Tiffin. Both actors do a fantastic job of capturing the
progression of a would-be serial killer/madman and each offers a
uniquely chilling performance that never seems contrived or what you
might expect. In fact, when young Hero says, “I can hurt people” the
darkness in his eyes seems more at home as an adolescent pet killing
psychopath from a Stephen King novel than a young wizard from the mind
of JK Rowling.
Daniel Radcliffe once again shows an increasingly growing talent and
his performance as the title character is much more layered and
humanized than in past films. Emma Watson and Rupert Grint deliver
excellent portrayals of Hermione and Ron yet again and the romance
between their characters is one of the main subplots of the film and
very enjoyable to watch. Bonnie Wright, who plays Ginny Weasley (and
Harry’s love interest), delivers a wonderfully simple, but still very
powerful performance with just the right amount of confidence and
vulnerability that make it clear why Harry would fall for her.
Helena Bonham Carter delivers an enjoyable if not sadly too brief
performance as well and Michael Gambon as Dumbledore delivers an
amazing performance. We see a man who has always appeared to know it
all showing his vulnerabilities, but without looking weak while doing
so. His moments onscreen range from oddly eerie to deeply poignant
and each and every one of them is superbly acted by a true artist.
Behind the scenes, the production team led by production designer
Stuart Craig doesn’t really have any new set pieces to show off this
go round (with the blissfully silly exception of the Weasley Brothers
Joke Shop), but all the familiar rooms and halls of Hogwarts and other
magical locales look better than ever with wonderful touches of magic
throughout. The visual effects in the film are practically seamless
as well and the Quidditch match in the film is the best realization
we’ve seen of the sport on ...
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