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	<title>The Cinema Source &#187; Christine Immel</title>
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	<link>https://www.thecinemasource.com/blog</link>
	<description>Today&#039;s Movies from Tomorrow&#039;s Perspectives</description>
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		<title>Box Office 411 for the weekend 7/21/12</title>
		<link>https://www.thecinemasource.com/blog/news/box-office-411-for-the-weekend-72112/</link>
		<comments>https://www.thecinemasource.com/blog/news/box-office-411-for-the-weekend-72112/#comments</comments>
		<pubDate>Mon, 23 Jul 2012 18:42:23 +0000</pubDate>
		<dc:creator><![CDATA[Christine Immel]]></dc:creator>
				<category><![CDATA[Box Office]]></category>
		<category><![CDATA[Brave]]></category>
		<category><![CDATA[ice age continental drift]]></category>
		<category><![CDATA[The Dark Knight Rises]]></category>
		<category><![CDATA[The Savages]]></category>
		<category><![CDATA[To Rome With Love]]></category>
		<category><![CDATA[Tyler Perry's Madea Witness Protection]]></category>

		<guid isPermaLink="false">http://www.thecinemasource.com/blog/?post_type=news&#038;p=74581</guid>
		<description><![CDATA[<p>In spite of the tragedy that be fell the midnight showing,  The Dark Night Rises lead the box office this past weekend at $161 Million. Followed by Dreamwork  Animation’s Ice Age: Continental Drift with $20.4...</p>
<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/box-office-411-for-the-weekend-72112/">Box Office 411 for the weekend 7/21/12</a></p>
]]></description>
				<content:encoded><![CDATA[<p><a rel="attachment wp-att-74582" href="http://www.thecinemasource.com/blog/news/box-office-411-for-the-weekend-72112/attachment/images-2/"><img class="alignright size-full wp-image-74582" title="Batman" src="http://www.thecinemasource.com/blog/wp-content/uploads/images.jpeg" alt="" width="184" height="273" /></a> In spite of the tragedy that be fell the midnight showing,  <em>The Dark Night Rises</em> lead the box office this past weekend at <strong>$161 Million</strong>. Followed by <strong>Dreamwork  Animation’s </strong><em>Ice Age: Continental Drift</em> with <strong>$20.4 Million</strong>. In its third week of release, <strong>Sony’s</strong> <em>The Amazing Spider-man</em> entangled audiences in its web making an additional<strong> $10.9 Million</strong>.</p>
<p><strong>Seth MacFarlane’s</strong> <em>Ted </em>holds steady at<strong> $10 Million</strong>.  <strong>Pixar’s</strong> <em>Brave</em> followed at  <strong>$6.02 million</strong>, with <em>Magic Mike</em> <strong>($4.29 Mil ) </strong>and<strong> Oliver Stone’s</strong> <em>The Savages</em> <strong>($3.4 Mil)</strong> and<strong>)</strong> narrowing the gap.</p>
<p>Rounding out the top ten are  <em>Tyler Perry’s Madea Witness Protection</em> earned  <strong>$2.25Mil </strong>, the critically acclaimed independents <em>Moonrise Kingdom</em> at <strong>$1.83 Mil</strong> and  To Rome With Love, at <strong>$1.42 Mil.</strong></p>
<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/box-office-411-for-the-weekend-72112/">Box Office 411 for the weekend 7/21/12</a></p>
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		<title>Casting News: The Untitled Jack Ryan Project</title>
		<link>https://www.thecinemasource.com/blog/news/casting-news-the-untitled-jack-ryan-project/</link>
		<comments>https://www.thecinemasource.com/blog/news/casting-news-the-untitled-jack-ryan-project/#comments</comments>
		<pubDate>Thu, 19 Jul 2012 20:01:56 +0000</pubDate>
		<dc:creator><![CDATA[Christine Immel]]></dc:creator>
				<category><![CDATA[Casting News]]></category>
		<category><![CDATA[Chris Pine]]></category>
		<category><![CDATA[Jack Ryan]]></category>
		<category><![CDATA[Kenneth Branagh]]></category>
		<category><![CDATA[Tom Clancy]]></category>

		<guid isPermaLink="false">http://www.thecinemasource.com/blog/?post_type=news&#038;p=74444</guid>
		<description><![CDATA[<p>From Hamlet to Professor Gilderoy Lockhart, Kenneth Branagh has been delighting audiences around the globe with his portrayal of classic characters for the past 30 years.  But in addition to his lustirous acting career, Branagh...</p>
<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/casting-news-the-untitled-jack-ryan-project/">Casting News: The Untitled Jack Ryan Project</a></p>
]]></description>
				<content:encoded><![CDATA[<p><a rel="attachment wp-att-74446" href="http://www.thecinemasource.com/blog/news/casting-news-the-untitled-jack-ryan-project/attachment/images-3-2/"><img class="alignright size-full wp-image-74446" title="kbs-3" src="http://www.thecinemasource.com/blog/wp-content/uploads/images-31.jpeg" alt="" width="300" height="200" /></a>From <strong>Hamlet</strong> to <strong>Professor Gilderoy Lockhart</strong>, <strong>Kenneth Branagh</strong> has been delighting audiences around the globe with his portrayal of classic characters for the past 30 years.  But in addition to his lustirous acting career, <strong>Branagh</strong> has also become a respected filmmaker in his own right. </p>
<p>
No stranger to Hollywood blockbusters, <strong>Branagh</strong> directed 2011’s<em> Thor</em>, he is now poised to take on another beloved hero in the yet to be title <em>Jack Ryan</em> project.</p>
<p>Starring <strong>Chris Pine</strong> as <strong>Tom Clancy’s</strong> formidable American hero, <strong>Kenneth Branagh</strong> is set to tackle America’s answer to <strong>James Bond</strong>.  <strong>Branagh</strong> will also star as the Russian villain bent on destroying the American economy. </p>
<p>
Other than what promises to be a good time in the movie theater this film also offers star <strong>Chris Pine</strong> the unique opportunity to potentially shoot his boss.</p>
<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/casting-news-the-untitled-jack-ryan-project/">Casting News: The Untitled Jack Ryan Project</a></p>
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		<title>The Box Office 411- For the week of July 15th</title>
		<link>https://www.thecinemasource.com/blog/news/box-office-411-for-the-week-of-july-15th/</link>
		<comments>https://www.thecinemasource.com/blog/news/box-office-411-for-the-week-of-july-15th/#comments</comments>
		<pubDate>Thu, 19 Jul 2012 19:23:46 +0000</pubDate>
		<dc:creator><![CDATA[Christine Immel]]></dc:creator>
				<category><![CDATA[Box Office]]></category>
		<category><![CDATA[ice age continental drift]]></category>
		<category><![CDATA[Katie Perry Part of Me]]></category>
		<category><![CDATA[Madagascar 3]]></category>
		<category><![CDATA[Madea]]></category>
		<category><![CDATA[Magic Mike]]></category>
		<category><![CDATA[Moonrise Kingdom]]></category>
		<category><![CDATA[spiderman]]></category>
		<category><![CDATA[Ted]]></category>

		<guid isPermaLink="false">http://www.thecinemasource.com/blog/?post_type=news&#038;p=74435</guid>
		<description><![CDATA[<p>This past weekend Dreamwork Animation’s Ice Age: Continental Drift reigned supreme in its first weekend with $46.0 Million. In it second week of release, Sony’s The Amazing Spider-man continued to entangle audiences in its web...</p>
<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/box-office-411-for-the-week-of-july-15th/">The Box Office 411- For the week of July 15th</a></p>
]]></description>
				<content:encoded><![CDATA[<p><a rel="attachment wp-att-74439" href="http://www.thecinemasource.com/blog/news/box-office-411-for-the-week-of-july-15th/attachment/images-1/"><img class="alignright size-full wp-image-74439" title="iceage" src="http://www.thecinemasource.com/blog/wp-content/uploads/images-1.jpeg" alt="" width="300" height="200" /></a>This past weekend <strong>Dreamwork Animation’s</strong><em> Ice Age: Continental Drift</em> reigned supreme in its first weekend with <strong>$46.0 Million</strong>. In it second week of release, <strong>Sony’s</strong> <em>The Amazing Spider-man</em> continued to entangle audiences in its web making an additional $35 Million bringing its total to over $200 Million.</p>
<p><strong>Seth MacFarlane’s</strong> <em>Ted </em>still manages to reel in the laughs in its third week at <strong>$22.1 Million</strong>.  <strong>Pixar’s</strong> <em>Brave</em> continues to enchant audiences  at <strong>$10.7 million</strong>, with <em>Magic Mike</em> <strong>($9.0 Mil ) </strong>and<strong> Oliver Stone’s</strong> <em>The Savages</em> <strong>($8.7 Mil)</strong> and<strong>)</strong> on its heels respectively.</p>
<p>Changing up the list just a bit in seventh and eighth place both <em>Katy Perry: Part Of Me</em> and<em> Tyler Perry’s Madea Witness Protection</em> garnered <strong>$3.7Mil </strong>each.</p>
<p>Rounding out the top ten are critically acclaimed independents <em>Moonrise Kingdom</em> at <strong>$3.7 Mil</strong> and another Dreamwork masterpiece <em>Madagascar 3: Europe’s Most Wanted</em> <strong>($3.5Mil)</strong>.</p>
<p>1 <strong>Ice Age: Continental Drift $46.0 Mil </strong><br />
<br />
2 <strong>The Amazing Spider-Man $35.0 Mil </strong><br />
<br />
3 <strong>Ted $22.1 Mil </strong><br />
<br />
4 <strong>Brave $10.7 Mil </strong><br />
<br />
5 <strong>Magic Mike $9.0 Mil </strong><br />
<br />
6 <strong> Savages (2012) $8.7 Mil</strong><br />
<br />
7 <strong>Tyler Perry&#8217;s Madea&#8217;s Witness Protection $5.6 Mil </strong><br />
<br />
8   <strong>Katy Perry: Part of Me $3.7 Mil</strong><br />
<br />
9 <strong>Moonrise Kingdom $3.7 Mil </strong><br />
<br />
10 <strong>Madagascar 3: Europe&#8217;s Most Wanted $3.5 Mil.</strong></p>
<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/box-office-411-for-the-week-of-july-15th/">The Box Office 411- For the week of July 15th</a></p>
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		<title>The Box Office 411- July 6-8, 2012</title>
		<link>https://www.thecinemasource.com/blog/news/the-box-office-411-july-6-8-2012/</link>
		<comments>https://www.thecinemasource.com/blog/news/the-box-office-411-july-6-8-2012/#comments</comments>
		<pubDate>Mon, 09 Jul 2012 20:19:46 +0000</pubDate>
		<dc:creator><![CDATA[Christine Immel]]></dc:creator>
				<category><![CDATA[Box Office]]></category>
		<category><![CDATA[$10.1Mil]]></category>
		<category><![CDATA[$15.6Mil]]></category>
		<category><![CDATA[$16Million]]></category>
		<category><![CDATA[$19.6Million]]></category>
		<category><![CDATA[$32.2Million]]></category>
		<category><![CDATA[$62 Million]]></category>
		<category><![CDATA[$7.5Mil]]></category>
		<category><![CDATA[Brave]]></category>
		<category><![CDATA[Katie Perry Part of Me]]></category>
		<category><![CDATA[Madagascar 3]]></category>
		<category><![CDATA[Magic Mike]]></category>
		<category><![CDATA[Moonrise Kingdom]]></category>
		<category><![CDATA[Seth MacFarlane]]></category>
		<category><![CDATA[Ted]]></category>
		<category><![CDATA[The Amazing Spider-Man]]></category>
		<category><![CDATA[The Amazing spiderman]]></category>
		<category><![CDATA[The Savages]]></category>
		<category><![CDATA[To Rome With Love]]></category>
		<category><![CDATA[Tyler Perry's Madea Witness Protection]]></category>
		<category><![CDATA[Woody Allen]]></category>

		<guid isPermaLink="false">http://www.thecinemasource.com/blog/?post_type=news&#038;p=73835</guid>
		<description><![CDATA[<p>Superheroes continue to conquer the box office this weekend with the heavily anticipated release of Sony’s The Amazing Spider-man raking in over $62 Million in its premiere weekend. Not to completely undone by a guy...</p>
<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/the-box-office-411-july-6-8-2012/">The Box Office 411- July 6-8, 2012</a></p>
]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.thecinemasource.com/blog/news/the-box-office-411-july-6-8-2012/attachment/the_amazing_spiderman_movie_poster-andrew_garfield-emma_stone-box_office_news_story/" rel="attachment wp-att-73851"><img src="http://www.thecinemasource.com/blog/wp-content/uploads/the_amazing_spiderman_movie_poster-andrew_garfield-emma_stone-box_office_news_story.jpg" alt="" title="the_amazing_spiderman_movie_poster-andrew_garfield-emma_stone-box_office_news_story" width="300" height="441" class="alignright size-full wp-image-73851" /></a></p>
<p>
Superheroes continue to conquer the box office this weekend with the heavily anticipated release of <b>Sony’s</b> <i>The Amazing Spider-man</i> raking in over <b>$62 Million</b> in its premiere weekend.  </p>
<p>
Not to completely undone by a guy in tights, <b>Seth MacFarlane’s</b> <i>Ted</i> comes in at number two on the list with a respectable <b>$32.2 Million</b> in its second week of release. The magic of <b>Pixar’s</b> <i> Brave</i> continues to draw in the crowds coming it at <b>$19.6 million</b>, with <b>Oliver Stone’s</b> <i>The Savages</i> <b>($16 Mil)</b> and <i>Magic Mike</i> <b>($15.6 Mil)</b> on its heels respectively.</p>
<p>
Despite being in their second and fifth weeks of release, both <i>Tyler Perry’s Madea Witness Protection</i> <b>($10.1Mil)</b> and <i>Madagascar 3: Europe’s Most Wanted</i> <b>($7.5Mil)</b> beat out <i>Katy Perry: Part Of Me</i> in its first week with only <b>$4.5Mil</b>.</p>
<p>
Rounding out the top ten are critically acclaimed independents <i>Moonrise Kingdom</i> at <b>$4.5Mil</b> and <b>Wood Allen’s</b> <i>To Rome With Love</i> with <b>$3.5Mil</b>.</p>
<p>
1	<b>The Amazing Spider-Man	   	                      $62,004,688</b><br />
2	<b>Ted	                                   	                      $32,202,395</b><br />
3	<b>Brave	                                                      $19,612,370</b><br />
4	<b>Savages (2012)	                   	                      $16,016,910</b><br />
5	<b>Magic Mike	                   	                      $15,642,337</b><br />
6	<b>Tyler Perry&#8217;s Madea&#8217;s Witness Protection  	      $10,177,029</b><br />
7	<b>Madagascar 3: Europe&#8217;s Most Wanted             $7,520,690</b><br />
8	<b>Katy Perry: Part of Me                                     $7,138,266</b><br />
9	<b>Moonrise Kingdom	         	                      $4,519,195</b><br />
10	<b>To Rome with Love	         	                      $3,502,000</b> </p>
<p>
<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/the-box-office-411-july-6-8-2012/">The Box Office 411- July 6-8, 2012</a></p>
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		<title>HBO Docs explores ‘Hard Times’ in the birthplace of the American Dream</title>
		<link>https://www.thecinemasource.com/blog/news/hbo-docs-explores-%e2%80%98hard-times%e2%80%99-in-the-birthplace-of-the-american-dream/</link>
		<comments>https://www.thecinemasource.com/blog/news/hbo-docs-explores-%e2%80%98hard-times%e2%80%99-in-the-birthplace-of-the-american-dream/#comments</comments>
		<pubDate>Mon, 09 Jul 2012 19:17:31 +0000</pubDate>
		<dc:creator><![CDATA[Christine Immel]]></dc:creator>
				<category><![CDATA[All]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Columns]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Images]]></category>
		<category><![CDATA[New Projects]]></category>
		<category><![CDATA[Posters]]></category>
		<category><![CDATA[Daphne Pinkerson]]></category>
		<category><![CDATA[Hard Times: Lost on Long Island]]></category>
		<category><![CDATA[HBO Docs]]></category>
		<category><![CDATA[Mark Levin]]></category>

		<guid isPermaLink="false">http://www.thecinemasource.com/blog/?post_type=news&#038;p=73823</guid>
		<description><![CDATA[<p>For many years HBO has been at the forefront of creating and distributing some of the worlds’ greatest achievements in film and television. From Hollywood blockbusters to unique and outstanding original programming, HBO has made...</p>
<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/hbo-docs-explores-%e2%80%98hard-times%e2%80%99-in-the-birthplace-of-the-american-dream/">HBO Docs explores ‘Hard Times’ in the birthplace of the American Dream</a></p>
]]></description>
				<content:encoded><![CDATA[<p>
<a href="http://www.thecinemasource.com/blog/news/hbo-docs-explores-%e2%80%98hard-times%e2%80%99-in-the-birthplace-of-the-american-dream/attachment/hard_times_hbo_documentary_movie_poster-2/" rel="attachment wp-att-73824"><img src="http://www.thecinemasource.com/blog/wp-content/uploads/hard_times_hbo_documentary_movie_poster1.jpg" alt="" title="hard_times_hbo_documentary_movie_poster" width="300" height="441" class="alignright size-full wp-image-73824" /></a></p>
<p>
For many years <b>HBO</b> has been at the forefront of creating and distributing some of the worlds’ greatest achievements in film and television.  From Hollywood blockbusters to unique and outstanding original programming, <b>HBO</b> has made itself into a household name for all things entertainment.  </p>
<p>
This summer <b>HBO Docs</b> invites subscribers to peek into the world of four families in Long Island as they struggle to keep the American Dream alive in <i><b>HARD TIMES: LOST ON LONG ISLAND</b></i> by Emmy award winning director <b>Mark Levin</b>.</p>
<p>
Produced by Daphne Pinkerson, <i><b>HARD TIMES: LOST ON LONG ISLAND</b></i> takes a hard look at the state of the American Dream from the perspective of those who struggle every day amidst declining morale and dwindling. </p>
<p>
Tune into <b><i>HARD TIMES: LOST ON LONG ISLAND</b></i> on <b>Monday July 9th at 9PM EST/PST</b>.</p>
<p>
<a href="http://www.thecinemasource.com/blog/news/hbo-docs-explores-%e2%80%98hard-times%e2%80%99-in-the-birthplace-of-the-american-dream/attachment/hard_times_hbo_documentary-2-2/" rel="attachment wp-att-73827"><img src="http://www.thecinemasource.com/blog/wp-content/uploads/hard_times_hbo_documentary-21.jpg" alt="" title="hard_times_hbo_documentary-2" width="500" height="317" class="alignright size-full wp-image-73827" /></a></p>
<p>
<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/hbo-docs-explores-%e2%80%98hard-times%e2%80%99-in-the-birthplace-of-the-american-dream/">HBO Docs explores ‘Hard Times’ in the birthplace of the American Dream</a></p>
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		<title>Hollywood Goes Psycho Over the Bates Motel Again!</title>
		<link>https://www.thecinemasource.com/blog/news/hollywood-goes-psycho-over-the-bates-motel-again/</link>
		<comments>https://www.thecinemasource.com/blog/news/hollywood-goes-psycho-over-the-bates-motel-again/#comments</comments>
		<pubDate>Fri, 06 Jul 2012 19:18:26 +0000</pubDate>
		<dc:creator><![CDATA[Christine Immel]]></dc:creator>
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		<category><![CDATA[Stills]]></category>
		<category><![CDATA[A&E]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Carlton Cuse]]></category>
		<category><![CDATA[Classic Horror]]></category>
		<category><![CDATA[Friday Night Lights]]></category>
		<category><![CDATA[Kerry Ehrin]]></category>
		<category><![CDATA[Parenthood]]></category>
		<category><![CDATA[Psycho]]></category>
		<category><![CDATA[Reboot]]></category>
		<category><![CDATA[The Bates Motel]]></category>

		<guid isPermaLink="false">http://www.thecinemasource.com/blog/?post_type=news&#038;p=73830</guid>
		<description><![CDATA[<p>In 1960, Alfred Hitchcock’s masterpiece of suspense, Psycho hit the sliver screen and has been terrifying millions ever since. Whether it’s the list of ill-fated Psycho sequels or the 1998 reboot, Hollywood has tried to...</p>
<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/hollywood-goes-psycho-over-the-bates-motel-again/">Hollywood Goes Psycho Over the Bates Motel Again!</a></p>
]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.thecinemasource.com/blog/news/hollywood-goes-psycho-over-the-bates-motel-again/attachment/the_bates_motel_new_tv_series_news_story_main_image/" rel="attachment wp-att-73831"><img src="http://www.thecinemasource.com/blog/wp-content/uploads/the_bates_motel_new_tv_series_news_story_main_image.jpg" alt="" title="the_bates_motel_new_tv_series_news_story_main_image" width="255" height="175" class="alignright size-full wp-image-73831" /></a></p>
<p>
In 1960, <b>Alfred Hitchcock</b>’s masterpiece of suspense, <i>Psycho</i> hit the sliver screen and has been terrifying millions ever since. Whether it’s the list of ill-fated <i>Psycho</i> sequels or the 1998 reboot, Hollywood has tried to recapture the magic the original bestowed on its audience, but has not been able to do it. So what’s a studio to do you may ask? How about a TV show? Well, that is exactly what <b>Carlton Cuse</b>, famed <i>Lost</i> show runner, has in mind. </p>
<p>
According to tvline.com, <b>Cuse</b> and <b>Kerry Ehrin</b> (<i>Parenthood</i>,<i>Friday Night Lights</i>) are creating a show for A&#038;E  based on the <b>Hitchcock</b> classic. However, in this cinematic version, <b>Cuse</b> and <b>Ehrin</b> seek to delve into the life of Norman Bates and his overbearing mother before the 1960 film. Taking place during Norman’s formative years: this twisted, and deeply sinister backstory promises to expose how his mother’s influence helped shape him into one of cinema’s most formidable villains.</p>
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As a huge fan of anything <b>Hitchcock</b> created, I was a little hesitant when I first read this headline, but if anybody can craft  a story as brilliant as the original but still hold true to their vision, I believe it is <b>Carlton Cuse</b> and <b>Kerry Ehrin</b>. So come 2013 I will be tuning in to <b><i>Bates Motel</i></b> on A&#038;E, let the countdown commence!</p>
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<p>Original post: <a rel="nofollow" href="https://www.thecinemasource.com/blog/news/hollywood-goes-psycho-over-the-bates-motel-again/">Hollywood Goes Psycho Over the Bates Motel Again!</a></p>
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