Day Watch

Director: Timur Bekmambetov

Cast: Konstantin Khabensky, Vladimir Menshov, Valery Zolotukhin, Maria Poroshina, Galina Tunina, Victor Verzhbitsky, Dima Martynov

Genre: Action, Fantasy / Sci-Fi / Thriller

Rated: R

Review By:
Zak Santucci

School:
NYU Stern '07

Quote:
"Lord loves a workin' man; don't trust whitey; see a doctor and get rid of it." -The Jerk

Day_Watch - Poster
Release Date: June 1st, 2007
Overall Grade: B

Day Watch

Review By: Zak Santucci
ZakSantucci@TheCinemaSource.com

Day Watch

So, I had the distinct pleasure of reviewing Night
Watch
last year. It was a very fun, imaginative
tale about a balance between two secret and magical
police forces, one good and one evil, constantly
“watch”ing the other side to keep the balance. It
suffered a bit from being slightly anti-climactic and
predictable. This could either be a symptom or a
cause of both the story and the action losing steam
about halfway through. Nonetheless, it was original
and entertaining enough. I ended that review saying
that I had an inkling that the sequel would “totally
rule”. Day Watch is that sequel"¦ but
did it totally rule?

Picking up shortly after the first one left off, we
are still following our hero Anton (Konstantin
Khabensky
). (Oh, keep in mind, I’m probably
gonna throw down some spoilers for Night Watch,
so if you want to see that too, go read that review,
then watch it, then read THIS review and see this film
afterwards if you’re so inclined.)
Anton is still
a member of the Night Watch and he’s still trying to
keep the evil vampires from eating people. He thinks
about his son pretty often, who turned out to be one
of those “chosen ones” from literature, but had joined
the dark side in the last film. Anton is also in
charge of training someone for the Night Watch, and
this young lady (named Svetlana, played by Mariya
Poroshina
) shows promisings of being a special
person herself. It turns out, that if she were to
ever meet another chosen one in battle (Anton’s son),
the world could be destroyed. A fight between them
would upset the balance between good and evil. Anton
notices that he has some dumb luck to have son be a
chosen one for evil and his protégé a chosen one for
good. So he takes it upon himself to seek out the
Chalk of Fate: a mystical artifact that can save all
of existence from its impending doom.

All in all, the crazy-cool special effects are intact
from the first movie; in fact they are more realistic
and action-packed. The movie itself is smarter,
hipper, funnier and more interesting. You basically
have this epic fantasy quest to save humanity but all
in the realm of modern day Moscow. This whole
struggle takes place under the surface, some of it in
“The Gloom”, a dark, magical realm which only
supernatural beings can enter. These beings also have
vague powers and live in their own world of logic
where anything can happen. That being said, I don’t
know if the Russians have the same knack for this
brand of magical realism, the same way Spanish-language auteurs and a lot of Japanese
animators do.

I just find myself introduced to a wildly original world and then it feels like the
filmmakers are struggling to hold the balance between
fantasy and reality until the end of the movie.
However, the movie is so confident that I get the
feeling that maybe I’m lacking some sort of Russian
sensibility that makes me relate to this.

Don’t get me wrong, I thought the movie was good, but
it suffered (although to a lesser degree) from the
same problems I thought the first film suffered from.
I felt like I was outside looking in on something that
all Russian people should love. Like watching some
guys play Dungeons and Dragons without the terrible
stigma it has. I’m sure nerds (Russian audiences in
my analogy) enjoy it immensely, and if I leave myself
completely objective I am sure it’s fun to watch.
However, I feel like the nerds are having more fun
then I could ever have. I’m not saying this just
because this became the highest grossing movie in
Russian history last year. I really feel like
something may be getting lost in translation. The
best way to describe it is that this is one of those
critically-acclaimed box office successes (like the
first Pirates of the Caribbean or Toy
Story
or something), and something about my
background leaves me unable to experience it as such.
So although the movie is, on the whole, good, I feel
slightly frustrated.

But enough of my American bitching. The movie was
better then the first and really cool. There are
attractive lesbians and dazzling special effects and
ancient battles and apocalyptic occurrences and this
sexy lesbian scene I might have mentioned already and
mythology and remarkable ingenuity from a filmmaker’s
perspective. The movie just had a tendency to grab
me, let go, grab me again, let go for a bit, and
repeatedly go through this struggle of my involvement
as an audience member. The movie is, however, worth seeing for
the experience of these unique
foreign/fantasy/action/horror movies.

Movie Grade: B

Note: I know I said this was better then
Night Watch, yet gave it the same grade. But
that was so novel and captivating as a new experience
two years ago that it got a couple extra points.
Since this is a sequel, the novelty has worn off. So
B+ seems a little high, cuz on a 5-star scale, that’s
like 4-stars to the extreme. The movie wasn’t
that good. Just like a straight-forward solid
4-stars. Maybe I should have given Night Watch
a B-, but I didn’t know how I’d feel about the sequel
back then, right? Stop nay-saying, this movie rating
thing gets harder over time.

Synopsis:


Featuring the cinematic vision of cutting-edge Director/Writer Timur Bekmambetov, Day Watch (Dnevnoi Dozor) is

the second installment of a trilogy based on the best-selling sci-fi novels of Sergei Lukyanenko entitled “Night Watch,” “Day Watch” and “Dusk Watch.” A dazzling mix of state-of-the-art visual effects, amazing action sequences, and nail-biting horror, when Night Watch (Nochnoi Dozor) was released in its native Russia in July 2004, it became an instant smash hit breaking all film gross records in post-Soviet history. Set in contemporary Moscow, Day Watch (Dnevnoi Dozor) revolves around the conflict and balance maintained between the forces of light and darkness — the result of a medieval truce between the opposing sides.

Leave a Reply