Next Day Air
Director: Benny Boom
Cast: Donald Faison, Mike Epps, Wood Harris, Omari Hardwick, Emilio Rivera, Darius McCrary, Cisco Reyes, Mos Def
Genre: Comedy
Rated: R
Next Day Air
Review By: Staff
Staff@TheCinemaSource.com
Next Day Air
Final Grade: B+
Director Benny Boom's resume reads with a collection of music video credits, and he initially would seem an unlikely source for a full-length feature film. But having worked consistently with directors Little X and Hype Williams, he emerges an accomplished and fully capable talent with an exceptional eye for visual storytelling and comic timing. Next Day Air is a successful, well-written, and personably complex story about a drug deal gone way wrong. It's a buddy / stoner / screwball hybrid that someday might even find a cult audience. What works especially is a desire to subvert those conventions somewhat with solid characters that manage to connect with the viewer; everyone here feels like a friend that you might want to hang out with all the time, even though they repeatedly make ridiculous mistakes. You forgive them just because their collective obliviousness is somehow humanistic and intrinsically beautiful in a world dominated by harsh interconnectedness of everyday life.
Donald Faison, of Scrubs fame, plays Leo a Philadelphia delivery man that specializes in screwing up his job with or without the benefits of marijuana. He's on the verge of getting fired from his mother, the Next Day Air manager, but he somehow manages to convince her (Debbie Allen, in one of the film's many hilarious moments) into a conditional stay, after promising to never mess up again. His friend and co-worker, a very subdued but catchy Mos Def, re-enforces the audience's belief that it's only a matter of time before they both mess up; We find Mos's character rummaging through opened packages looking for anything resembling "money"Â.
Carrying with him an oversized package, and in a pot-induced haze that will facilitate the story's great central conflict, Leo arrives at his final destination. Inside this package lies hundreds of thousands of dollars worth of cocaine, and it's meant for Jesus (Cisco Reyes) and his girlfriend Chita (newcomer Yasmin Deliz), on behalf of mega-dealer Bodega, played perfectly, and with an unintentionally hilarious dramatic effect by Emilio Rivera. When this shipment, thanks to Leo's slightly drug-induced confusion, ends up in the hands of two opportunistic and foolish bank robbers, Brody and Guch (a very solid comic tandem in Mike Epps and Wood Harris), both of whom are looking for one last big break before they can retire and move out of each other's lives. Having just bungled a heist in an almost stupidly priceless chain of events, the package brings with it the possibility of money and no work.
Before they can get rid of their new stash and find a market, they need a distributor, and Brody just so happens to have on in his cousin Shavoo, played by Omari Hardwick. His partner, the Family Matters alum Darius McCrary, goes by "Buddy"Â but avoids telling everyone his actual name. Shavoo and his right hand man
Bodega eventually learns that his possession is either in the hands of Jesus, or something has gone horribly wrong. Either way, Jesus, in Bodega's mind, is lying, and this precipitates he and his own-right hand man to journey from LA to Philadelphia to get their money and, very possibly some scalps.
Of course, Jesus and Chita are aware that they'll need to find the delivery man that confused Bodega's drugs with someone else's, if they want a shot of living another day. They track down a disorganized and sober Leo and make him slave to the package's true location. With Bodega in tow, a veritable posse arrives at Brody and Guch's door at the perfectly wrong time.
I won't reveal the surprising and worthy ending, but it follows a well-made and balanced movie that feels like a low-budget comedy a big-budget company smartly financed. Next Day Air is not groundbreaking or even intelligent, but it has an affection and a real character in its portrayal of a great, under-the-radar screwball comedy. Boom shows an obvious connection to his cast; he knows that each one is somehow important, even in a superficial manner, in his directorial debut. It's rare that a borderline-cult action/comedy/multi-hyphenate works as well as this. And what makes it click particularly is Blair Cobbs's lean but effective comic script, one that emphasizes well the lively and sociable foolishness of its central and peripheral characters. Even with its rather simple story devices, a consistent humor and surprisingly distinguished characters make it more than worthwhile.
Final Grade: B+
Synopsis:
Life isn't going smoothly for Leo Jackson. He still lives at home, he just broke up with his girlfriend and he's had so many complaints about his sloppy work habits that his own mother is threatening to fire him. But Leo isn't one to let a few bad breaks ruins his day"”as long as he's got plenty of weed to take his mind off his troubles. But when the wacked-out courier accidentally delivers a box containing 10 kilos of high quality cocaine to the wrong apartment, it sets in motion a hilarious and harrowing chain of events that could cost him his life.